Related Books

The Girl Who Stole My Holocaust
Language: en
Pages: 288
Authors: Noam Chayut
Categories: History
Type: BOOK - Published: 2013-06-04 - Publisher: Verso Books

“She took from me the belief that absolute evil exists in this world, and the belief that I was avenging it and fighting against it. For that girl, I embodied absolute evil ... Since then I have been left without my Holocaust, and since then everything in my life has
The Girl Who Stole My Holocaust
Language: en
Pages: 256
Authors: Noam Chayut
Categories: History
Type: BOOK - Published: 2013-06-10 - Publisher: Verso Books

Haunting, beautifully written and deeply moving memoir of a young Israeli soldier. “She took from me the belief that absolute evil exists in this world, and the belief that I was avenging it and fighting against it. For that girl, I embodied absolute evil ... Since then I have been
How Finkelstein Broke the Trauma Bond, and Beat the Holocaust
Language: en
Pages: 724
Authors: Lawrence Swaim
Categories: Social Science
Type: BOOK - Published: 2015-10-30 - Publisher: John Hunt Publishing

Following on from the first two books in his 'Genesis Trilogy', Lawrence Swaim tells the amazing stories of people who broke the trauma bond, and created new lives for themselves. Including, among others: Norman Finkelstein (whose parents were both Holocaust survivors) who broke free from the inter-generational trauma in his
International Origins of Social and Political Theory
Language: en
Pages: 280
Authors: Tarak Barkawi, George Lawson
Categories: Social Science
Type: BOOK - Published: 2017-04-12 - Publisher: Emerald Group Publishing

This special issue is animated by the necessary entanglement of theory and history, the cortical relationship between theory and practice, and the transboundary relations that help to constitute systems of thought and practice.
Speaking Truths with Film
Language: en
Pages: 281
Authors: Bill Nichols
Categories: Performing Arts
Type: BOOK - Published: 2016-04-05 - Publisher: Univ of California Press

"What issues, of both form and content, shape the documentary film? What role does visual evidence play in relation to a documentary's arguments about the world in which we live? Can a documentary be believed, and why or why not? How do documentaries abide by or subvert ethical expectations? Are