Related Books

Shakespeare and Gesture in Practice
Language: en
Pages: 200
Authors: Darren Tunstall
Categories: Performing Arts
Type: BOOK - Published: 2016-08-26 - Publisher: Macmillan International Higher Education

This is the first study of gesture in Shakespeare, tackling not only those gestures declared in the text, but also drawing on recent scholarship on kinesics and gestural codes to shed new light on practice. Through theoretical and practical analysis of the role of gesture, Tunstall argues that it must
Shakespeare and Directing in Practice
Language: en
Pages: 158
Authors: Kevin Ewert
Categories: Performing Arts
Type: BOOK - Published: 2018-05-11 - Publisher: Macmillan International Higher Education

Books about Shakespeare and Directing in Practice
Shakespeare and Political Theatre in Practice
Language: en
Pages: 176
Authors: Andrew James Hartley
Categories: Performing Arts
Type: BOOK - Published: 2014-01-23 - Publisher: Macmillan International Higher Education

What makes a Shakespeare production political? Can Shakespeare's plays ever be truly radical? Revealing the unspoken politics of Shakespeare's plays on stage, Andrew Hartley examines their nature, agenda, limits and potential. In considering key theoretical issues, analysing a wide range of productions, and engaging in a collaborative debate with Professor
Shakespeare’s Body Language
Language: en
Pages: 272
Authors: Miranda Fay Thomas
Categories: Literary Criticism
Type: BOOK - Published: 2019-11-14 - Publisher: Bloomsbury Publishing

Why do the Capulets bite their thumbs at the Montagues? Why do the Venetians spit upon Shylock's Jewish gaberdine? What is it about Volumnia's act of kneeling that convinces Coriolanus not to assault the city of Rome? Shakespeare's Body Language is a ground-breaking new study of Shakespearean drama, revealing the
Shakespeare and Gender in Practice
Language: en
Pages: 208
Authors: Terri Power
Categories: Drama
Type: BOOK - Published: 2015-12-02 - Publisher: Macmillan International Higher Education

This book explores theoretical and practical approaches to performing gender in contemporary Shakespeare productions. It focuses on contemporary practice, looking at how it is responding to a new cultural politics of gender and creating a critical language for understanding the performing of gender in the staging of Shakespeare's plays.