Related Books

Choreographing exhibitions
Language: en
Pages: 424
Authors: Mathieu Copeland
Categories: Conceptual art
Type: BOOK - Published: 2013-11-01 - Publisher:

En 2008, le centre d'art contemporain La Ferme du Buisson accueillait le commissaire d'exposition Mathieu Copeland pour la présentation remarquée d'Une Exposition Chorégraphiée. Composée exclusivement de mouvements interprétés par trois danseurs pendant deux mois, l'exposition fit date dans l'histoire des relations entre danse et arts plastiques. 0Au-delà de l'expérience unique
Choreographing Intersubjectivity in Performance Art
Language: en
Pages:
Authors: Victoria Wynne-Jones
Categories: Conceptual art
Type: BOOK - Published: - Publisher: Springer Nature

Books about Choreographing Intersubjectivity in Performance Art
Theatre, Exhibition, and Curation
Language: en
Pages: 212
Authors: Georgina Guy
Categories: Performing Arts
Type: BOOK - Published: 2016-04-20 - Publisher: Routledge

Examining the artistic, intellectual, and social life of performance, this book interrogates Theatre and Performance Studies through the lens of display and modern visual art. Moving beyond the exhibition of immaterial art and its documents, as well as re-enactment in gallery contexts, Guy's book articulates an emerging field of arts
Curating Contemporary Music Festivals
Language: en
Pages: 326
Authors: Brandon Farnsworth
Categories: Business & Economics
Type: BOOK - Published: 2020-07-31 - Publisher: transcript Verlag

Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for
Performing Arts in Transition
Language: en
Pages: 256
Authors: Susanne Foellmer, Maria Katharina Schmidt, Cornelia Schmitz
Categories: Performing Arts
Type: BOOK - Published: 2018-12-19 - Publisher: Routledge

Artists especially from dance and performance art as well as opera are involved to an increasing degree in the transfer between different media, not only in their productions but also the events, materials, and documents that surround them. At the same time, the focus on that which remains has become