Related Books

Adrian Frutiger - Typefaces
Language: en
Pages: 468
Authors: Heidrun Osterer, Philipp Stamm
Categories: Architecture
Type: BOOK - Published: 2021-04-06 - Publisher: Birkhaüser

The Swiss type designer Adrian Frutiger decisively influenced the international creation of typefaces after 1950. His Univers typeface and the machine-readable font OCR-B are milestones, as is his type for the Paris airports, which evolved into the Frutiger typeface. All set new standards for signage types. In all, he created
Adrian Frutiger – Typefaces
Language: en
Pages: 460
Authors: Heidrun Osterer, Philipp Stamm, Swiss Foundation Type and Typography
Categories: Architecture
Type: BOOK - Published: 2009-01-01 - Publisher: Walter de Gruyter

The international creation of typefaces after 1950 was decisively influenced by the Swiss type designer Adrian Frutiger. His Univers typeface and the machine-readable font OCR-B, which was adopted as an ISO standard, are milestones, as is his type for the Paris airports, which set new standards for signage types and
Adrian Frutiger – Typefaces
Language: en
Pages: 468
Authors: Heidrun Osterer, Philipp Stamm
Categories: Architecture
Type: BOOK - Published: 2021-04-06 - Publisher: Birkhäuser

The Swiss type designer Adrian Frutiger decisively influenced the international creation of typefaces after 1950. His Univers typeface and the machine-readable font OCR-B are milestones, as is his type for the Paris airports, which evolved into the Frutiger typeface. All set new standards for signage types. In all, he created
Adrian Frutiger Typefaces
Language: en
Pages: 459
Authors: Heidrun Osterer, Philipp Stamm
Categories: Architecture
Type: BOOK - Published: 2009 - Publisher:

Books about Adrian Frutiger Typefaces
The Typographic Medium
Language: en
Pages: 304
Authors: Kate Brideau
Categories: Design
Type: BOOK - Published: 2021-10-19 - Publisher: MIT Press

An innovative examination of typography as a medium of communication rather than part of print or digital media. Typography is everywhere and yet widely unnoticed. When we read type, we fail to see type. In this book, Kate Brideau considers typography not as part of "print media" or "digital media"